There is only one word that can adequately describe Trinitas Arts Conservatory’s current production: fun. From the acting, to the choreography, and within the frequent jokes that perfectly even out the complex storytelling, “Hello, Dolly!” was must-see.
“Hello, Dolly!” is a double-cast show, meaning that there are two casts that switch off for each performance. Because I went on opening night and the Sunday matinee, I had the pleasure of watching the both casts.
From our very own Royal Reporter, Gigi Coo ‘24 starred as Dolly Levi. She artistically portrayed the role of an 18th-century matchmaker. Without spoiling anything about the musical, all I can say is that Gigi has some serious talent.
A few other gifted reporters also star in “Hello, Dolly!” Makayla Palos Rodriguez ‘24 showed off her incredible talent as hat maker Irene Molloy. Occasionally more reserved seniors Mandy Puga and Mia Kennedy revealed a new side of themselves as Ermengarde and Ernesta Money. They were both absolutely hilarious, and seriously, Mia was unrecognizable.
The other cast, the New York cast, was also incredible. Abby Wright ’24 perfectly lead the cast as Dolly Levi. Sami DiCrisi ’26 played Irene Molloy, and her singing voice is genuinely other-worldly.
Regardless, there are some variables that remain the same throughout each show: tech, ensemble, and featured dancers.
Behind the scenes, the crew does an incredible job of keeping the cast on cue and the audience engaged. Production Crew Head Siena Lopez ‘24 was right at the door ready to greet everyone, sell lanyards, and answer questions. Lighting and sound kept the show entertaining, providing digital accompaniment to the on-stage production. Brooke Skipton ‘24 and Lauren Carlin ’25 really outdid themselves as the Costume Crew Heads. These costumes seriously look like a wealthy person in the 18th century owned them. I wish I would’ve asked Brooke and Lauren to make my prom dress. Assistant Stage Manager Riley Martinez ’24 and her techie sister Kaitlyn Martinez ’27 made a brief cameo on stage as a horse. They really stole the whole show with that.
Last but certainly not least, ensemble and featured dancers were the glue of the whole show. Often overlooked, these groups artfully accompanied the leading roles. I cannot speak highly enough as to how well the ensemble and the featured dancers performed in “Hello, Dolly!” Each and every member of these groups made choices that not only help themself stand out, but also contribute to the overall image.
Overall, this show was seriously so fun. I can’t wait to see what Trinitas does next year!
